About Me
The name says everything.
My name is Keerthana (aka Keerthi) — not the name most people know me by, but the one my grandfather gave me. When I was naming an Instagram account years ago, it was his name for me that came out naturally. Keerz. Short for Keerthana. But say it slowly — it also rhymes with Hearts. Keerz Artz. I didn't plan that. It just arrived.
So this studio carries my grandfather's name for me. Every painting I make lives under it. That feels right.
As long as I can remember, I've been fascinated by colours.
When I was three, my dad brought me coloring books. I finished all of them in two or three days. That's how it started — and honestly, that's how it still is.
My mother is an artist.
I grew up watching her paint. I remember standing there as a child, completely still, just watching. It felt like magic. I couldn't look away.
But my real guru was my grandmother.
She wasn't an artist herself — but she had something rarer than technical skill. She had an eye. A deep, instinctive sense of what was right and what wasn't. When I mixed colours wrong, she didn't dismiss it. She sat with me, looked carefully, and guided me back. She encouraged me when I failed. She stayed.
She is the reason I became an artist.
Art is not something I do. It's who I am.
I genuinely wouldn't know how to introduce myself without it. Strip everything else away — the career, the roles, the daily life — and what remains, what has always remained since I was three years old reaching for a colouring book, is this.
The colours. The image taking shape. The feeling when it finally flows.
That is me. That has always been me.
Where I’m based
Keerz Artz Studio is based in USA. Commissions are open worldwide. Every painting ships with a certificate of authenticity and the story of how it came to be.
If something here speaks to you — reach out. I read every message personally.
Art is not something I do. It's who I am.
The first commission.
A friend asked me to paint something large for their wall. 60 by 48 inches. I had never painted anything bigger than 12 by 16.
I was nervous when I began. Somewhere in the middle of those mountains the nervousness dissolved. The painting took over. I was painting from my heart. That piece is the reason this studio exists.
How I paint.
I work primarily in acrylics — bold, layered, my loudest voice. Watercolour is my quieter voice — fluid, atmospheric. Mandala art is my most meditative — intricate, patient, each line placed with intention.
Most of what I paint is nature and landscape. The kind of places that make you feel small in the best possible way.